The Writer’s Lens – E45: The Affirmation of Finished Work

What does it do for us when we finish what we start? If you’re the type of person that struggles with unfinished projects, then maybe you are in need of a morale boost. Or a gentle reminder of what you feel strongly about. Something to kick-start the juices and make it to the finish line.

Or perhaps on an even deeper level, maybe your unique message just isn’t clear yet.

Episode 45: The Affirmation of Finished Work

In my case, finishing a book is what I aim to do. Not an easy task; not something one does in a weekend. For writing a book can feel like running a marathon. But here’s something to remember: we aren’t alone in our pursuits.

In this episode, I talk in depth about the things we can learn about ourselves as we work through our passion projects. And how there’s a unique voice each of us can cultivate by bringing that message to completion.

Website: www.jclfaltot.com

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Interviews with Brian Del Turco, The Voice of “Jesus Smart: The Podcast”

Welcome to the #NarrativeWars.

Brian Del Turco is a fellow creative in Cleveland and is the voice of Jesus Smart: The Podcast as well as the owner / operator of LifeVoice Quest. He is passionate about emerging voices – those looking to broadcast and share their message with others – and I’ve been fortunate to dialogue with Brian about this topic. For we live in the digital age and we are surrounded by hundreds of incoming messages, all vying for our attention.

That being said, how do we sort through them?

How do we know what is true?

How do we know what is not true?

Brian and I begin our discussion on the #NarrativeWars in part 1 below.

034: Take the Red Pill — Wake Up to the Narrative Wars with Joshua C. Faltot! 

In part 2 of our conversation, Brian and I dive deeper into the concept of #Worldviews and what they mean to each of us.

On my podcast, The Writer’s Lens, I take a look at things through the lens of a writer. I believe human beings tell stories to help them interpret their world. To make sense of things. To exchange information and share experiences.

This can ultimately shape our individual worldviews. The conclusions we make; the stories we believe; the ways we think the world ought to be.

For this second half, Brian and I discuss in greater length how we are not only in the midst of a #NarrativeWar, but a battle of competing #Worldviews too.

039: War of the Worldviews with Joshua C. Faltot

Brian is a commentator on society and culture with great and helpful insights who can also be found on SubstanceTV’s podcast at SubstanceTV.org.

#1,000…and counting

Thanks to all who have been tuning into my podcast, The Writer’s Lens.

This past week, I hit the 1,000 downloads mark so thanks for being a part of the creative / writing journey with me!

Stay tuned for more updates in the coming weeks.

And just in case you missed the latest and greatest, I started a new series (beginning with Episode 40), where I’ll be (hopefully) going from inception to publication for my second book, The Shadow Of Mars. Be sure to tune in or share with anyone you think may benefit from following along in this process.

Till next time.

J.C.L.

Facebook Launch Interview – Dr. Robert Snyder, author of “Why Did Daddy Have To Leave?”

About a week ago, I was fortunate to take part in Dr. Rober Snyder’s Book Launch event for Why Did Daddy Have To Leave? – a children’s book detailing the things a child may go through when his parent goes off to war. Dr. Snyder is an Iraqi war veteran and fellow author friend of mine, among other titles including educator and P90X instructor.

Below I’ve included a link to the full interview where I take Rob through his inspiration to write the book as well as what his time was like overseas.

Here’s that link: Click here

And P.S. – please excuse the slight lapse in sound with the video (I’ll go ahead and take the blame for the connection speed if need be, Rob).

I Am Still Writing And I’m (Still) Publishing A Book This Year

I don’t do the blog thing much these days. Between parenting, husband-ing, socializing, podcasting – there is very little time for therapeutic writing (though writing a book is quite therapeutic).

That being said, I wanted to put something out there. Namely how I am still writing. Just not on this platform. I’m actually trying to finish a book. Yeah, no joke.

The Shadow of Mars, the follow up to The Road To Mars, should be available sometime this year. When? I have no idea. Don’t ask me. But, I am on the second read through of the manuscript. So that means I’m about 80% of the way to my goal.

Another goal I’m pushing towards is 1,000 unique followers and listens on my podcast, The Writer’s Lens. So, if you’re of the creative type, you’re writing a book, finding your “voice”, exploring hobbies and passion projects, and interested in taking that journey with another person foolish enough to share his insights and failures, then it’s a good place to check out.

So enough of the shameless self promotion. And back to that writing thing. Till next time.

J.C.L.

 

 

An Interview with #TotalTutor, Neil S. Haley

Again, I found myself being quite fortunate as I was interviewed by Neil Haley, host of Blog Talk Radio’s Total Tutor this past week. For those who don’t know Neil, he’s a former pro wrestler (which I thought was cool enough), but most recently, he’s the CEO and radio show host of his own talk show, Total Tutor. The Total Radio network is listened to by more than 2 million listeners a week and is broadcasted in 180 countries.

I met Neil back in October of 2016 when I was receiving my 2nd place award at the TAZ (The Author’s Zone) conference in Pittsburgh. My book, The Road To Mars, had been a finalist in the category of science fiction.

Neil interviews a variety of individuals – from authors such as myself to actors, actresses, and business entrepreneurs. You can check out his extensive celebrity guest list here.

And, of course, you can find my interview here.

For more on Neil and his work, you can go follow him on Twitter and Facebook. Have a great Friday everyone!

Character Dynamics in “The Road To Mars”

The Road To Mars follows, for the most part, a trio of characters (trying to be #SPOILERfree here). There’s Darion, my protagonist; Jack, the “thief”; and the Shepherd, my larger-than-life visitor from Mars. Each has his own agenda. Each is searching for something. And each may or may not take issue with someone in the group; unbeknownst to that person.

I know because I wrote it that way.

When I began fleshing out The Road To Mars, I envisioned it like a really bad family vacation. Nobody likes going somewhere – especially far away – with someone they don’t like. Or someone they’re not too familiar with. The Road To Mars is all about unfamiliar travel. Mars, by itself, is already an unknown landscape. But, in my story, it’s a haven. An escape. A place Darion wants to be. He wants out of the mess the Earth is in. The Pulse has damaged Earth with clouds that sap light and energy. The Earth, as far as Darion is concerned, is a lost cause. So he’s trying hard to leave it behind and get to Mars. Not just for himself, but for his daughter as well.

Jack, on the other hand, is more like a baby bird fallen from its nest. He’s survived the fall – survived the Pulse – but now he’s alone. Nobody is looking out for him. Until he meets Darion. And then, ultimately, the Shepherd of Mars. Jack has had little direction in life. He’s a got a bad seed in him, you might say. But, meeting Darion has given him direction. And the Shepherd has given him hope. Two things he’d never had before; and important to any person.

As for the Shepherd, his mere existence defies logic. He’s huge – more than seven feet tall. He’s built like an Olympic gymnast and speaks like he’s lived 10 lifetimes. Yet, all that power and wisdom is a cause for concern. Even for Darion, whose entire journey has been about finding said Shepherd. No man can be all these things in one. There must be a catch or something hidden. But, Darion – and Jack – are willing to see whatever that is till the end.

What I’ve just told you is incredibly important to any story: character dynamics. As much as I like the mythology in The Lord of the Rings and the universe where Harry Potter resides, I know neither of these stories would be worth their weight in salt if it weren’t for the characters. Where they come from. How they interact. Who they are driven to be next to. Or be in conflict with – all are imperative. For the characters push the plot. Push the agenda. And keep your audience interested till the end (Writer’s Digest has a good tutorial on this very topic).

For The Road To Mars I wanted to get this as right as possible. Each of my characters needed to feel natural. Needed to have predictable behaviors, yet be thrown into unpredictable circumstances. For it’s the unusual scenarios where development happens. Characters become more than a name on a page – they become (almost) like real people. Someone you or I can relate to. It’s key to telling any good story. And it’s key to transforming a book from I-read-five-chapters-now-I’m-done to, “Hey, when does the next one come out?”

I, for one, prefer the latter.

When a story “stays with you”

It’s 1989. I’m five. And it just so happens to be Christmas. I open my first present: a VHS copy of my soon-to-be-favorite movie monster, Godzilla. I watch it. It’s a horribly made dub, but I’m in love. Giant mutant dinosaurs wrecking cities with the theme of nuclear proliferation has me hooked. And from then on, I’m convinced the greatest thing I can do as a grownup is become a monstrous reptile myself (keep in mind, I’m still five at this point).

Flash forward to 1997. I’m in my English reading class. The teacher asks me what my interests are. I sheepishly admit science fiction and “monsters”. He selects Dune by Frank Herbert. I read through the novel – understanding little, but absorbing much – and when I’m done, I feel like I’ve been to another galaxy, another world entirely. One that’s full of monsters and sci-fi goodness.

Now, it’s 2013. A friend has been suggesting I read Ender’s Game for a long while. I finally take the plunge and read it. And I love it. Not only is it good (to me), but I find myself recognizing similar storytelling techniques that I might employ as a writer. Soon, the idea that I could write a full-scale novel comes alive. And I start writing that said novel, finishing in the latter half of 2015.

So what’s the point of all this? For one, I’m still a fan of Godzilla. For two, I am still a fan of Herbert’s original Dune saga and for three, I’ve read plenty more of the Ender series since reading the original Ender’s Game. Why? Because each of these stories had an impact on me. They had that “it” factor. But, most perhaps importantly, they stayed with me. We’ve all seen a movie or read a book we’ve found to be entertaining. But, was it good enough to come back to? Again? And then one more time? Aside from the three stories I listed, I can think of a few others that have had that affect on me. I’m sure you can think of your own list too. Often it’s just the right timing. Other times, it’s just our interests being realized through story. And yet, in some instances, it’s a good story that grabs us and doesn’t let go.

As a writer, I tend to desire many things: great sales, a following of dedicated readers, maybe a movie deal, to name a few. But, one of the greatest compliments I can receive is a reader who not only reads my work, but comes back a second time to read it again. And a third. And maybe even a fourth. Because that’s when you know you’ve written a good story. It stays with someone. It doesn’t end on the last page. It just keeps going, reigniting that magic you felt when you were five. And that’s a great feeling, as I can recall.

What is a writer’s responsibility?

Pilots fly things. Salespeople sell things. And accountants count things (my wife is an accountant so I know this to be true). So, by default, one would say writers write things. Or rather, it’s part of their job description. Write. Write. And write some more.

Sounds fun. If you’re into that sort of thing. Yet, what does a writer actually write about? Or what should he write about?

There seems to be plenty of voices in the world to begin with. There are people with opinions. People with experiences. People with opinions about their experiences. That’s a lot of topics to cover. However, most every book started with interest. What interested the writer. Because what interested them might ultimately interest someone else.

When I first started my writing journey, I wanted to be a satirist. That’s a fancy way of saying I wanted to be a “know-it-all-with-humor”. Think John Stewart minus the television program and New York roots. I thought I’d be able to break into the publishing world that way. There was a multitude of “know-it-all” books at the time too. And that seemed like a good way to “get ahead quick.”

Yet, that was the whole problem. What interested me wasn’t what I was writing about, but what was popular at the time. Yes, I believe I could be a great satirist when I wanted to (read my past work at your own discretion), but I couldn’t keep up the passion for it. Inevitably, I just couldn’t keep forcing it out of myself. I had some interest, but not enough drive. A change needed to happen.

So, I started by asking myself a couple questions. The most pertinent of which was like this: what would I like to read? What would I find to be exciting? And when I asked those questions, desire surfaced. And a book emerged – my first one. And hey, it felt really good. But, to that point, more began to pour out. Interest had brought me there, but passion and desire were driving me to completion.

So what’s a writer’s responsibility? First and foremost, discovering his or her desire. A powerful voice emerges from desire. And captures the attention of others when it does.

Are You Not Convinced?

It’s been said that you can have a great idea, but if your execution is bad, then your idea is sunk. Or rather, it’s worth less than nothing. Writing survives on the passing of ideas. From one person to another. So on and so forth. Which is what brings any writer – such as myself – to that unholy place of conundrum: is my idea good? Can it be passed around like a hot potato, yet leave people wanting that potato to come back around again?

Mars_GuyObviously, my own answer to that question is yes. Of course, I think my idea is good. Of course, I think my book is good. That’s why I wrote it. But, the big question remains: who else will think it’s good? Who else is going to like what I did? And who else will like how I did it? That’s the pertinent question. The purpose of this post, really. Who can I convince that my idea is good and do it well?

The Road to Mars was an ambitious work for me – at 372 pages, that’s pretty darn ambitious – so I took a lot of time trying to make it look and “sound” attractive. That means analyzing and editing. Writing and rewriting paragraphs. Reading and re-reading. It was a process that made me evaluate not only my writing style, but my idea itself. Was it cool enough? Did the world I invented suspend disbelief or was it just flat out unbelievable? It may sound maddening – especially after 372 pages in – but it was actually quite sobering. It forced me to reaffirm my earliest convictions: that yes, I think I had a good idea. And that yes, I needed to present it well, too (unlike the guy in this picture).

So, about that story of mine….